![]() Watching this flashback out of context, the animation works as something neat and appealing, but the way details like the simplified character's designs tie into the psyche of Manny makes this sequence richer. Both scenes get around the communication barrier between humans and critters by forgoing dialogue in favor of physical gestures that allow subtle storytelling and smart animation to take center stage.įor this scene, the Ice Age crew found poignant ways to explore the interior life of Manny while expressing those qualities in a visually distinctive manner. This was especially apparent in a pair of scenes depicting protagonist Manny the Mammoth ( Ray Romano) interacting with adult humans. ![]() The wall-to-wall noise of eventual installments like Ice Age: Dawn of the Dinosaurs wasn’t entirely absent here, but it was toned down in favor of pathos-driven scenes that eschewed dialogue. More positively, though, Blue Sky’s first motion picture also featured a welcome insistence on restraint, especially when compared to later Ice Age sequels. Those features had worked at putting DreamWorks and PIXAR on the map, why couldn’t they also work for Blue Sky? Most notably, the mismatched dynamic between the films leads set against a road trip story structure was evocative of similar titles from the same era like Shrek and Toy Story. In delivering its inaugural foray into longer-form storytelling, director Chris Wedge offered up something that certainly hit the expected beats for mainstream kid’s animation in this era. The original Ice Age was the debut feature for the now-defunct Blue Sky Studios.
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